Dylan Goes Electric & Escaping The Delta By Elijah Wald: 2 Books Set - Non-Fiction - Paperback HarperCollins Publishers

14.99 GBP*

Description

Titles In This Set: 1. Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night That Split the Sixties 2. Escaping the Delta: Robert Johnson and the Invention of the Blues Description: Dylan Goes Electric! One of the music world’s pre-eminent critics takes a fresh and much-needed look at the day Dylan “went electric” at the Newport Folk Festival. On the evening of July 25, 1965, Bob Dylan took the stage at the Newport Folk Festival. Backed by an electric band, he roared into a blistering version of “Maggies Farm,” followed by his new rock single, “Like a Rolling Stone.” The audience of committed folk purists and political activists who had hailed him as their acoustic prophet reacted with a mix of shock, boos, and scattered cheers. It was the shot heard round the world—Dylans declaration of musical independence, the end of the folk revival, and the birth of rock as the voice of a generation—and one of the defining moments in twentieth-century music. In Dylan Goes Electric! Elijah Wald explores the cultural, political, and historical roots and impact of this seminal event. He delves deep into the folk revival and its intersections with the civil rights movement, the rise of rock, and the tensions between traditional and groundbreaking music to provide important insights into Dylans artistic evolution, his special affinity to blues, his complex relationship to the folk establishment and his sometime mentor Pete Seeger, and the ways he reshaped popular music forever. Escaping The Delta In an extraordinary look at American music and the story of one of the most socially pivotal musicians in the 20th century, Elijah Wald ingeniusly uses Robert Johnson as a springboard in explaining a groundbreaking take on the Blues– that it was first invented by Black America, then re-invented by White America. The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America's deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history. Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside – not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today's loyal blues fans.